During his tenure, West served on AFI’s senior leadership team, shaping organizational strategy for the Institute’s filmmaker training programs, working with major studios developing on targeted diversity initiatives, festival and exhibition fundraising and brand visibility, as well as its strategy for weathering the COVID-19 pandemic. He oversaw all aspects of philanthropy, membership programs, corporate sponsorship and special events, as well as championed the development of new programs to provide bridges to the film industry for under-represented storytellers in Hollywood. He worked closely with the Center’s Board to overhaul the annual fund structure, complete a capital campaign for building of the Renee and Henry Segerstrom Concert Hall and launch a new series of innovative performance programs titled Off Center.įrom 2010-2021, West served as the Chief Advancement Officer for the American Film Institute in Los Angeles, California. In 2007, West moved to California to serve as the Vice President of Development for the Segerstrom Center for the Arts in Costa Mesa, one of Southern California’s leading performing arts presenters. West was also charged with funding for the Kennedy Center’s national arts education programs that reached millions of young people annually across the United States. Reynolds Series for Artistic Excellence and the Kennedy Center Honors. West also spearheaded fundraising for major programs, including the landmark Sondheim Celebration Tennessee Williams Festival Festival of China presentations of the Bolshoi Ballet and Opera and Oscar Hammerstein II’s Carmen Jones conducted by Placido Domingo, starring Vanessa Williams with the Harlem Boys Choir as a part of the Catherine B. From 1997-2008, West assumed multiple positions of increasing responsibility at the Kennedy Center, ultimately serving as the Vice President of Development, overseeing all fundraising programs for the National Symphony Orchestra and the Suzanne Farrell Ballet, where he led the effort to fund a remount of Balanchine’s Don Quixote. In addition to leading fundraising efforts for large and complex cultural institutions, he has a track record in strategic planning, board leadership development, revenue growth, donor and audience relations, and team building.Īn actor and theatre director by training, West received a Master of Arts in arts administration from American University and began his career in arts management at the Kennedy Center in 1997. Kennedy Center for the Performing Arts, the Segerstrom Center for the Arts and American Film Institute. Tom West’s career in arts management spans for more than 20 years including leadership roles at the John F.
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